Fleda read that last sentence over more times even than the rest; she was baffled—she couldn't think at all of what it might be. This was indeed because it might be one of so many things. She made for the present no answer; she merely, little by little, fashioned for herself the form that her answer should eventually wear. There was only one form that was possible—the form of doing, at her time, what he wished. She would go down to Poynton as a pilgrim might go to a shrine, and as to this she must look out for her chance. She lived with her letter, before any chance came, a month, and even after a month it had mysteries for her that she couldn't meet. What did it mean, what did it represent, to what did it correspond in his imagination or his soul? What was behind it, what was beyond it, what was, in the deepest depth, within it? She said to herself that with these questions she was under no obligation to deal. There was an explanation of them that, for practical purposes, would do as well as another: he had found in his marriage a happiness so much greater than, in the distress of his dilemma, he had been able to take heart to believe, that he now felt he owed her a token of gratitude for having kept him in the straight path. That explanation, I say, she could throw off; but no explanation in the least mattered: what determined her was the simple strength of her impulse to respond. The passion for which what had happened had made no difference, the passion that had taken this into account before as well as after, found here an issue that there was nothing whatever to choke. It found even a relief to which her imagination immensely contributed. Would she act upon his offer? She would act with secret rapture. To have as her own something splendid that he had given her, of which the gift had been his signed desire, would be a greater joy than the greatest she had supposed to be left to her, and she felt that till the sense of this came home she had even herself not known what burned in her successful stillness. It was an hour to dream of and watch for; to be patient was to draw out the sweetness. She was capable of feeling it as an hour of triumph, the triumph of everything in her recent life that had not held up its head. She moved there in thought—in the great rooms she knew; she should be able to say to herself that, for once at least, her possession was as complete as that of either of the others whom it had filled only with bitterness. And a thousand times yes—her choice should know no scruple: the thing she should go down to take would be up to the height of her privilege. The whole place was in her eyes, and she spent for weeks her private hours in a luxury of comparison and debate. It should be one of the smallest things because it should be one she could have close to her; and it should be one of the finest because it was in the finest he saw his symbol. She said to herself that of what it would symbolize she was content to know nothing more than just what her having it would tell her. At bottom she inclined to the Maltese cross—with the added reason that he had named it. But she would look again and judge afresh; she would on the spot so handle and ponder that there shouldn't be the shade of a mistake. "Up to this time," said Fleda, after a pause, "your mother has had no doubt of my being on hers."!

Fleda, on the threshold, kissed her; then they went out. "No, 'she' won't see them." Then Fleda said, "What I mean is, for this dear one of ours, that if she had (as I know she did; it's in the very taste of the air!) a great accepted pain—"

Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!" "Tells her what?" Fleda inquired. The mixture of reluctance and dependence in this made her feel how much she was failing him. She had the sense of "chucking" him too. "No, no, not yet!" she said, though she had really no other and no better course to prescribe. "Doesn't it occur to you," she asked in a moment, "that if Mona is, as you say, drawing away, she may have, in doing so, a very high motive? She knows the immense value of all the objects detained by your mother, and to restore the spoils of Poynton she is ready—is that it!—to make a sacrifice. The sacrifice is that of an engagement she had entered upon with joy."